in other words

Everything you ever wanted to know about the art market but didn't know who to ask


Contributors


Charlotte Burns

editor of In Other Words

Charlotte Burns is the editor of In Other Words, our weekly newsletters and podcasts. She was previously the US news and market editor for The Art Newspaper, as well as a regular correspondent for publications such as the Guardian and Monocle. Previously, she worked with the London dealer Anthony d’Offay on special projects. For several years, she was a consultant at the cultural communications agency, Bolton & Quinn. She also worked at Hauser & Wirth in London.

Burns received a Masters degree (with Merit) from the Courtauld Institute in Art and Cultural Politics in Germany, 1890-1945, as well as a first-class B.A. honors degree in English and History of Art from Birmingham University. She moved to New York in 2010.


Articles by Charlotte Burns


Episode 22 Transcript: Authority and Anxiety with MoMA director Glenn Lowry

By Charlotte Burns

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Authority and Anxiety with MoMA director Glenn Lowry

By Charlotte Burns

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Nine Museum Shows That Will Change The Game

Upcoming Exhibitions Worthy of Your Support

By Allan Schwartzman, Joe Dunning, and Charlotte Burns

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Episode 21: Emerging Art with Whitney Biennial Curator Christopher Y. Lew

By Charlotte Burns

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Highlights from Miami

Our Favorite Works of Art

By Allan Schwartzman, Ivy Shapiro, and Charlotte Burns

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Market Report

What Happened on the Fair Floor

By Charlotte Burns

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Episode 20: Art and Desire with Walter Robinson

By Charlotte Burns

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Postwar and Contemporary Auction Analysis

By Charlotte Burns and Allan Schwartzman

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Impressionist and Modern Auction Analysis

By Charlotte Burns and Allan Schwartzman

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Spotlight on Specific Markets

By Charlotte Burns and Allan Schwartzman

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Episode 19: Talking Art with Germano Celant and Allan Schwartzman

By Charlotte Burns

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“Awareness Seems to Happen in Waves”

On Next Steps: Lynn Zelevansky, former director of the Carnegie Museum of Art, Pittsburgh

By Charlotte Burns

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Episode 18: The Suit and the Sweater

By Charlotte Burns

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Episode 17: Gilbert & George

By Charlotte Burns

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Market Takeaways

What You Need to Know From Frieze Week in London

By Charlotte Burns and Allan Schwartzman

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Episode 16: Contemporary African Art

By Charlotte Burns

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Episode 15: Lust for Life—Collecting Art with Herbert Lust

By Charlotte Burns

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Episode 14: New World Disorder with Tate’s Gregor Muir

By Charlotte Burns

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Episode 13: Art Can Change the World, with Hans Ulrich Obrist

By Charlotte Burns

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Episode 12: Reshaping Museums with Michael Govan

By Charlotte Burns

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The America Issue

Art and the USA 

By Charlotte Burns

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Episode 11: Changing Lanes, with Jeffrey Deitch and Lisa Dennison

By Charlotte Burns

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Episode 10: The Art Media

By Charlotte Burns

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Episode 9: The Road Less Travelled with Joel Mesler

By Charlotte Burns

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Our Analysis of the Auctions

By Charlotte Burns and Allan Schwartzman

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Episode 8: Being Radical with Robert Storr

By Charlotte Burns

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Episode 7: Building legacy, with Charles C. Bergman of the Pollock-Krasner Foundation

By Charlotte Burns

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Vito Acconci 1940-2017

By Charlotte Burns

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Episode 6: Hypercapitalization, with Gavin Brown and Allan Schwartzman

By Charlotte Burns

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Episode 5: Inequalities in the Art World, with Ian Alteveer and Naima Keith

By Charlotte Burns

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Joy in Its Abundance

Freedom and Control in the David Hockney Market

By Charlotte Burns

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Episode 4: Globalization and Its Discontents with Thomas Krens

By Charlotte Burns

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Episode 3: Part two, Uncovering the Great Art of the 2000s with David Salle and Alison Gingeras

Why is it so hard to pinpoint the important artists of this period?

By Charlotte Burns

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Episode 2: Uncovering the Great Art of the 2000s with David Salle and Alison Gingeras

Why is it so hard to pinpoint the important artists of this period?

By Charlotte Burns

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Episode 1: Art and Brands with artist Tom Sachs

By Charlotte Burns

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Reading the Art Market

Supply, Not Demand, Is the Challenge

By Charlotte Burns

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The German Miracle

Critics Love Sigmar Polke, but the Market Remains Confused

By Charlotte Burns

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