25 April 2017
Whether curating, writing or collecting, I have never felt the need to track the distribution of art according to gender or race. I was mentored by feminists, and am well aware that a massive shift in the language and trajectory of art (and art viewing) since the early 1970s—towards small-scale, bright colors, narrative, intimacy, vulnerability, art that is overtly autobiographical, pluralism, and voices that were previously marginalized—has happened in large part because of the feminist movement, and the way it changed cultural consciousness. But I couldn’t help notice that in the six solo exhibitions that have been presented since the opening...
Busting the Guarantees Myths
Parks and Recreation
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