in other words

Everything you ever wanted to know about the art market but didn't know who to ask

Content tagged with: Contemporary Art

| 19 April 2018

The Future of the Museum

By Charlotte Burns, editor of In Other Words

This week we bring you a special episode from Hong Kong, where we staged our…

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| 22 March 2018

What’s on the Menu with Daniella Luxembourg & Amalia Dayan

The gallerists Daniella Luxembourg and Amalia Dayan specialize in cutting-edge Contemporary art and overlooked 20th-century…

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All Ears | 15 March 2018

Monumental Mistake

All Ears: The Talk in New York

By Linda Yablonsky, columnist

The best I can say about last week’s Armory Show is that it briefly steered…

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Must See | 15 March 2018

A Fine Romance

The Must-See Show in London

By Louisa Buck, contemporary art correspondent

Many artists use collage, but few do so as effectively as John Stezaker. For more…

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| 8 March 2018

The Art of Criticism with Jerry Saltz

By Charlotte Burns, editor of In Other Words

Jerry Saltz, perhaps the most well-known art writer working today, has been the senior art…

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Must See | 1 March 2018

The Painted Word

A Must-See Work by Ed Ruscha

By Christian Viveros-Fauné, art and culture critic

What is the difference between language and a picture of a thing? That riddle has…

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| 22 February 2018

Dealing Art with Thaddaeus Ropac

By Charlotte Burns, editor of In Other Words

From fetching beer for Joseph Beuys to the implications of Brexit and new borders, the…

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Allan's Intro | 15 February 2018

A New Chapter

By Allan Schwartzman, co-founder of AAP & chairman of Sotheby's Global Fine Arts

I can’t talk about much of what I do, since discretion is paramount for many…

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Must See | 15 February 2018

Knock, Knock! Who’s There?

What to See in London

By Louisa Buck, contemporary art correspondent

The humble but compelling protagonist of Brian Griffiths’ exhibition “No No to Knock-Knocks” (until 17…

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| 8 February 2018

Norman Rosenthal on Seducing the Audience

By Charlotte Burns, editor of In Other Words

During his 31 years as the exhibitions secretary at London’s Royal Academy, Sir Norman Rosenthal…

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