Charlotte Burns is the editor of In Other Words, our weekly newsletters and podcasts. She was previously the US news and market editor for The Art Newspaper, as well as a regular correspondent for publications such as the Guardian and Monocle. Previously, she worked with the London dealer Anthony d’Offay on special projects. For several years, she was a consultant at the cultural communications agency, Bolton & Quinn. She also worked at Hauser & Wirth in London.
Burns received a Masters degree (with Merit) from the Courtauld Institute in Art and Cultural Politics in Germany, 1890-1945, as well as a first-class B.A. honors degree in English and History of Art from Birmingham University. She moved to New York in 2010.
By
Charlotte Burns
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Charlotte Burns
Diving into the archives to bring you some of our favorite shows
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Charlotte Burns
and Allan Schwartzman
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Charlotte Burns
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Charlotte Burns
What the New York fairs revealed
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Charlotte Burns
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Charlotte Burns
Did the good vibes outweigh pervasive market anxiety?
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Charlotte Burns
The art world’s closeout event shows us what to expect next year
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Charlotte Burns
The top takeaways from the New York sales
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Charlotte Burns
and Allan Schwartzman
Research By
Julia Vennitti
Ai Weiwei on his favorite work
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Charlotte Burns
The state of the city’s art market as Brexit looms
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Charlotte Burns

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Charlotte Burns
Despite talk of progress, just 11% of all acquisitions have been of work by women

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Charlotte Burns
and
Julia Halperin
Research By
Julia Vennitti
New approaches to old problems

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Charlotte Burns
with
Julia Halperin
How we gathered and examined the data

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Charlotte Burns
with
Julia Halperin
The market for work by women doubled over the past decade—with five female artists accounting for 40.7% of that total

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Charlotte Burns
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Julia Halperin
Artists, curators, directors and more respond to the data

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Charlotte Burns
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Julia Halperin
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Charlotte Burns
Who has a voice in today’s culture?
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Charlotte Burns
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Charlotte Burns
What dealers were saying at Art Basel
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
The hits, misses and key trends
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Charlotte Burns
and Allan Schwartzman
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Charlotte Burns
Market Spotlight: Ian Cheng
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Meredith Kirk
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
Money, morals and metrics
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Charlotte Burns
A final interview with Okwui Enwezor
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Charlotte Burns
Museum directors tell us what works
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Charlotte Burns
Fair sales, a KAWS for concern and Asian market analysis
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Charlotte Burns
How Has the American Narrative Portrayed by Cultural Institutions Fallen Short?
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Charlotte Burns
Mapping Museums from Hong Kong to Japan
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Charlotte Burns
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Charlotte Burns
In Other Words Live
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Charlotte Burns
Dispatch from Frieze Los Angeles
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
What the 2018 Sotheby’s Prize applications tell us about museum trends
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Charlotte Burns
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Charlotte Burns
Market talk with Nicholas Maclean and Allan Schwartzman
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Charlotte Burns
Our take on last week’s sales
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Charlotte Burns
With Ian Alteveer & Doug Eklund
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Charlotte Burns
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Charlotte Burns
On Looking and Listening, Art and Politics
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Charlotte Burns
Podcast with artist Howardena Pindell
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Charlotte Burns
Podcast with Valentino Carlotti, Allan Schwartzman and Julia Halperin
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Charlotte Burns
Case studies: three artists from different generations
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Charlotte Burns
and
Julia Halperin
Infographics of the data
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Charlotte Burns
and
Chelsea Perkins
The combined auction value of work by African American artists is $2.2bn—just 1.2% of the global total
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Charlotte Burns
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Julia Halperin
Just 2.37% of museum acquisitions over the past decade have been of work by African American artists
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Charlotte Burns
and
Julia Halperin
How the Data Was Gathered and Analyzed
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Charlotte Burns
and
Julia Halperin
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Tim Blum
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Charlotte Burns
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Tim Blum
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Charlotte Burns
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Tim Blum
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Charlotte Burns
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Tim Blum
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Charlotte Burns
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Tim Blum
With Chrissie Iles, Carolyn Ramo & Hamza Walker
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Charlotte Burns
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Charlotte Burns
Introducing Our Annual Summer Special
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Charlotte Burns
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Charlotte Burns
Report From the Fair Floor
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Charlotte Burns
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Charlotte Burns
Maverick American Artist, Overlooked in Plain Sight
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Joe Dunning
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Charlotte Burns
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Joe Dunning
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Charlotte Burns
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Charlotte Burns
and Allan Schwartzman
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Charlotte Burns
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Allan Schwartzman
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Charlotte Burns
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Allan Schwartzman
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Charlotte Burns
Market Analysis—Mary Corse
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
Would we think differently of the reclining nude if she stood up?
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Christian Viveros-Fauné
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Charlotte Burns
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Charlotte Burns
Mapping museums from Hong Kong to Japan
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
Tension in the Tectonic Plates Underlying the Market
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Charlotte Burns
with
Allan Schwartzman
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Charlotte Burns
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Charlotte Burns
Upcoming Exhibitions Worthy of Your Support
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Allan Schwartzman,
Joe Dunning,
and
Charlotte Burns
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Charlotte Burns
Our Favorite Works of Art
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Allan Schwartzman,
Ivy Shapiro,
and
Charlotte Burns
What Happened on the Fair Floor
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
and Allan Schwartzman
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Charlotte Burns
and Allan Schwartzman
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Charlotte Burns
and Allan Schwartzman
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Charlotte Burns
On Next Steps: Lynn Zelevansky, former director of the Carnegie Museum of Art, Pittsburgh
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
What You Need to Know From Frieze Week in London
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Charlotte Burns
and Allan Schwartzman
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
Art and the USA
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
and Allan Schwartzman
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
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Charlotte Burns
Freedom and Control in the David Hockney Market
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Charlotte Burns
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Charlotte Burns
Why is it so hard to pinpoint the important artists of this period?
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Charlotte Burns
Why is it so hard to pinpoint the important artists of this period?
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Charlotte Burns
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Charlotte Burns
Supply, Not Demand, Is the Challenge
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Charlotte Burns
Critics Love Sigmar Polke, but the Market Remains Confused
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Charlotte Burns