in other words

Everything you ever wanted to know about the art market but didn't know who to ask

BY Allan Schwartzman


“Bad” Painting

Great art is personal

By Allan Schwartzman

To Those We Have Lost

People the virus has taken from us

By Allan Schwartzman

Putting Things in Perspective

What to write about at a moment like this?

By Allan Schwartzman

Revolutionary Rauschenberg

How the artist remains so relevant today

By Allan Schwartzman

McCarthy and Minimalism

The artist’s special brand of provocation

By Allan Schwartzman

A Few of My Favorite Things

What I’m looking forward to seeing

By Allan Schwartzman

The Tipping Point

Are challenges to institutions for the public good?

By Allan Schwartzman

Painterly Ground

A new artist commission in Brazil

By Allan Schwartzman

Four Exhibitions That Give Me Hope for Greatness

Rosenquist, Guston and more

By Allan Schwartzman

It Is Easy to Sling Mud at a Giant

Why a visit to the new MoMA is more than worth the trip

By Allan Schwartzman

The Dream Team

My all-time top ten artists

By Allan Schwartzman

“Am I Surprised? No.”

But the grim facts are startling

By Allan Schwartzman

Why I Am No Longer An Art Critic

What I loved and what made me stop

By Allan Schwartzman

Culture as Big Business

Art and merchandise

By Allan Schwartzman

A Lost Generation

A massive unfulfilled potential

By Allan Schwartzman

I Got It Wrong

When a work forces you to reconsider the artist

By Allan Schwartzman

When Painting Was Painting

Meanwhile, back in New York

By Allan Schwartzman

Introducing the Artist Market Spotlight Series

Analysis… In Other Words

By Allan Schwartzman