The Tipping Point

Are challenges to institutions for the public good?

By Allan Schwartzman

Painterly Ground

A new artist commission in Brazil

By Allan Schwartzman

Four Exhibitions That Give Me Hope for Greatness

Rosenquist, Guston and more

By Allan Schwartzman

It Is Easy to Sling Mud at a Giant

Why a visit to the new MoMA is more than worth the trip

By Allan Schwartzman

The Dream Team

My all-time top ten artists

By Allan Schwartzman

“Am I Surprised? No.”

But the grim facts are startling

By Allan Schwartzman

Why I Am No Longer An Art Critic

What I loved and what made me stop

By Allan Schwartzman

Culture as Big Business

Art and merchandise

By Allan Schwartzman

A Lost Generation

A massive unfulfilled potential

By Allan Schwartzman

I Got It Wrong

When a work forces you to reconsider the artist

By Allan Schwartzman

When Painting Was Painting

Meanwhile, back in New York

By Allan Schwartzman

Introducing the Artist Market Spotlight Series

Analysis… In Other Words

By Allan Schwartzman

A Period of Value Reinforcement

What happened to risk?

By Allan Schwartzman

Measuring Success (101 Editions Later)

In tribute to Okwui Enwezor

By Allan Schwartzman

Transformative Sculpture

The Visionary Work of Matthew Barney

By Allan Schwartzman

I Did Not Transcend

Sometimes It’s a Struggle Putting Pen to Paper

By Allan Schwartzman

To, Not From

What Comes in the Aftermath of Disruption

By Allan Schwartzman

The Ins and Outs of Insiders and Outsiders

By Allan Schwartzman