Funky, Funny and Fussy

Reassessing the Pattern and Decoration Movement

By Jonathan Griffin

Hyperreality and the Market

Dispatch from Frieze Los Angeles

By Charlotte Burns

The Do’s and Don’ts of Death

On Preserving Legacies 

By Jane Morris
Research By Michael Klein

From Bill Traylor to Jim Carrey: Who’s an Outsider, Anyway?

An Analysis of “Outliers” in Museums and the Market

By Jonathan Griffin

Sex is down, spirituality is up

What the 2018 Sotheby’s Prize applications tell us about museum trends

By Charlotte Burns

A to Z of auctions

Our take on last week’s sales

By Charlotte Burns

Houston, we have an exhibition in space

This month, art is launched into the final frontier (again)

By Jonathan Griffin

Tracking the art that came to market as the crisis struck

What happened to works that hit the block in November 2008?

By Madeline Lissner

“They can’t wait and wait because then I’ll die and it’ll cost big bucks”

Case studies: three artists from different generations

By Charlotte Burns and Julia Halperin

Mapping the numbers

Infographics of the data

By Charlotte Burns and Chelsea Perkins

“From a dealer’s point of view, there is a huge opportunity”

The combined auction value of work by African American artists is $2.2bn—just 1.2% of the global total

By Charlotte Burns and Julia Halperin

“I would have thought the needle would have moved more”

Just 2.3% of museum acquisitions over the past decade have been of work by African American artists

By Charlotte Burns and Julia Halperin

Methodology

How the Data Was Gathered and Analyzed

By Charlotte Burns and Julia Halperin

What’s the Forecast?

This Fall Season

By the AAP team

Times, They Are A Changin’

Report From the Fair Floor

By Charlotte Burns

Museums and the Market

Rumors vs. Reality

By Bernard Lagrange with Michael Klein

Records Set in the Evening Sales

By Chelsea Perkins

Breaking Down Postwar & Contemporary by Numbers

By Charlotte Burns and Joe Dunning