in other words

Everything you ever wanted to know about the art market but didn't know who to ask

#68 Live Review: The New MoMA

Our take on the update


Faith Ringgold, American People Series #20: Die (1967)

Art Agency, Partners
Art Agency, Partners
#68 Live Review: The New MoMA

The Museum of Modern Art reopens this month after a $450m expansion that has added more than 47,000 sq. ft and many new galleries that tell a different story of modern and contemporary art.

In this podcast, AAP co-founder Allan Schwartzman and In Other Words host Charlotte Burns review the radical rehang of the permanent collection.

To hear more, tune it today.

Click here for the full transcript

Charlotte Burns: Hello and welcome to In Other Words, where we cover everything you ever wanted to know about the art world, but didn’t know who to ask.

So, this month, The Museum of Modern Art in New York reopens after a $450 million renovation and expansion, that has added more than 47,000 sq ft, and many new galleries that tell a different story of modern and contemporary art.

I’m your host, Charlotte Burns, and today, Allan Schwartzman, co-founder of Art Agency Partners and I tell you about the preview we had of the museum earlier this week.

Allan Schwartzman: If ever this was a moment in history where we need to be reminded of the central role of the artist in art history, it’s now. It is a breath of fresh air.

Before we begin, here is a quick reminder to subscribe to our In Other Words newsletter at Now, onto today’s show.


Allan Schwartzman

Allan Schwartzman was a Founder and Principal of AAP. He brought to the company more than 20 years’ experience in advising some of the world’s most influential and sophisticated collectors in forming their holdings of contemporary art, both individually and in conjunction with their stewardship of major museums.

Schwartzman is also widely respected as an independent curator, most notably for Instituto Inhotim, the visionary contemporary art park set within a 5,000-acre botanical garden in Brazil. As creative director and chief curator of Inhotim, he has been central to developing the collection of the renowned institution and commissioning its signature site-specific works by artists including Chris Burden, Giuseppe Penone, Matthew Barney, Doris Salcedo, Doug Aitken, Rivane Neuenschwander, Olafur Eliasson and Rirkrit Tiravanija, including projects that could not have been realized anywhere else.

Known equally as a tastemaker in contemporary art and an authority on the art market, Schwartzman is a frequent guest speaker and panelist at the Museum of Modern Art, the Guggenheim Museum, Art Basel and notable events around the world.

Schwartzman was a founding staff member of the New Museum of Contemporary Art in New York City and served as curator from 1977 to 1980. He has written extensively about art for publications including The New Yorker, the New York Times, Vogue, Harper’s Bazaar, Elle, Artforum and Art in America and was a contributing editor of Connoisseur. He served as a board member of Franklin Furnace from 1980 to 2000 and currently serves on the Board of Artists Space, one of New York’s premier alternative spaces, having also served as the board’s president.

Charlotte Burns

executive editor of In Other Words

Charlotte Burns is the editor of In Other Words, our weekly newsletters and podcasts. She was previously the US news and market editor for The Art Newspaper, as well as a regular correspondent for publications such as the Guardian and Monocle. Previously, she worked with the London dealer Anthony d’Offay on special projects. For several years, she was a consultant at the cultural communications agency, Bolton & Quinn. She also worked at Hauser & Wirth in London.

Burns received a Masters degree (with Merit) from the Courtauld Institute in Art and Cultural Politics in Germany, 1890-1945, as well as a first-class B.A. honors degree in English and History of Art from Birmingham University. She moved to New York in 2010.

Where to look

Slideshow: Works on View Now at MoMA

22 Images

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