- Poster for The Exile (1931), directed by Oscar Micheaux. From “Regeneration: Black Cinema 1900-1970” at the Academy Museum of Motion Pictures, Los Angeles
- Still from Stormy Weather (1943), directed by Andrew L. Stone. From “Regeneration: Black Cinema 1900-1970” at the Academy Museum of Motion Pictures
- Costume drawing for Carmen Jones (1954), directed by Otto Preminger. From “Regeneration: Black Cinema 1900-1970” at the Academy Museum of Motion Pictures
- Jackson Hlungwani, Christ Playing Football (1983). From “Jackson Hlungwani: Alt and Omega” at the Norval Foundation
- Jackson Hlungwani, Christ Playing Football (1983). From “Jackson Hlungwani: Alt and Omega” at the Norval Foundation
- Jackson Hlungwani, The Angel Gabriel (II) (1983). From “Jackson Hlungwani: Alt and Omega” at the Norval Foundation
- Jackson Hlungwani, The Angel Gabriel (II) (1983). From “Jackson Hlungwani: Alt and Omega” at the Norval Foundation. Image courtesy of Wits Art Museum
- One of the few exhibitions dealing with sexuality, the jury commended “For Today I Am a Boy: Contemporary Queer Abstraction at Des Moines Art Centre in Des Moines, Iowa as “a really smart, risky, bold and committed project”. Here, Carrie Moyer, Jolly Hydra: Unexplainably Juicy (2017)
- Edie Fake, The Keep (2018). From “For Today I Am a Boy: Contemporary Queer Abstraction” at the Des Moines Art Center
- Prem Sahib, Outer Wear (2015). From “For Today I Am a Boy: Contemporary Queer Abstraction” at the Des Moines Art Center
- A child leaning on a cane watching Dana Levy, The weight of things. From “Zumu – A Museum on the Move”
- A child in the greenhouse space at “Zumu – A Museum on the Move”
- Interior of the greenhouse space from “Zumu – A Museum on the Move”
- Bedouin school at “Zumu – A Museum on the Move”
- Exterior of the greenhouse space at “Zumu – A Museum on the Move”
- Public program audience at “Zumu – A Museum on the Move”
- Exterior of “Zumu – A Museum on the Move”
- Interior of the Harvest Museum at “Zumu – A Museum on the Move”
- Portrait of Henry Moore with Helmet Head No. 2 (1967). From “Henry Moore: The Helmet Heads” at the Wallace Collection